Photographer Kimberly Ovitz’s debut display “Mom” is displaying at Casterline|Goodman via April 15.
Kimberly Ovitz/Courtesy image

Photographer Kimberly Ovitz is on a mission to reconnect folks with character and the environment by her function.

“I’ve constantly been a visual storyteller,” she mentioned. “I want to use this medium to encourage and accelerate alter, peace, and curiosity, so when people stroll outdoors, they sluggish down a minimal and look at matters a little bit in a different way and be reminded of all the magnificence that we are surrounded by.”

Ovitz, who has practiced images because she was a boy or girl but only began pursuing it professionally right after pivoting from a vocation in style, is exhibiting her debut exhibition “Mother” at the Casterline|Goodman Gallery in Aspen through April 15.

“I have been privileged more than enough to be in a position to go to Aspen for several years rising up, and I just have a incredibly unique link with it,” she mentioned. “Whenever I’m there, I just reconnect back to this childlike awe. It’s often fantastic recollections, good and stunning views. Any put that is so saturated with mother nature and beauty, the way that Aspen and Snowmass are, puts me in a state of becoming that is tranquil, which would make me exhibit up as a better human in lifestyle, which I believe is usually the goal, correct?”

“Leaf,” 2021 (40.75 x 27.37 inches) Casterline|Goodman.
Kimberly Ovitz/Courtesy photo

Ovitz earlier had a prolonged and prosperous job in trend. The Los Angeles native scored an internship at J. Crew at the age of 14, when she attained a like and appreciation of the sparse minimalism heralded by Emily Scott, J. Crew’s co-founder and former CEO.

She went on to internships at Harper’s Bazaar with photographer Herb Ritts Chanel, performing beneath Karl Lagerfeld and at W magazine. She attended Parsons, The New School of Design and style, and attained her bachelor’s in artwork heritage and business from Brown College.

Just after functioning for labels Imitation of Christ, YaYa, and Twelfth Avenue by Cynthia Vincent, she introduced her Kimberly Ovitz Selection in 2009, which was embraced by the trend and leisure industry with a lot of youthful fashionistas sporting her types on the crimson carpet. In 2013, she announced she would not deliver a drop line.

In the years considering that, she has been included in many trend collaborations and initiatives but found herself shifting additional intentionally toward two passions she has held given that childhood — animal welfare and images.

Ovitz has married her love of mother nature and photography for her debut present “Mother.”
Kimberly Ovitz/Courtesy photo

“Photography is a medium I’ve constantly been drawn to considering the fact that I was a kid,” she reported. “I consider that pictures and movie is transcendent. It transcends the boundaries of language. And animals are a large passion and goal of mine. I grew up knowing that my reason in existence was to enable them.”

Like a lot of, she suddenly found herself with a ton of time on her arms in the course of the COVID-19 pandemic and resolved to travel sections of the extensive California and Oregon coastline in an RV over the course of two years and photograph the normal environment she encountered.

“I know it sounds cliche, but I read through this ebook, ‘The Overstory,’ by Richard Powers, and after looking through that reserve, I just could not seem at trees the exact way as I employed to,” she said. “I just feel like we just take the presents of mother nature for granted. And we have made this sort of a mess out of nature, and by the way, animals, people, the earth. That is all nature to me.”

“Bolero,” 2021 (51.75 x 77.25 inches) Casterline|Goodman.
Kimberly Ovitz/Courtesy photo

The effects of that journey are what make up her exhibit “Mother.” The title is a nod to Mom Earth.

Ovitz grew up an avid equestrian, but her animal-rights do the job has shifted her relationship to horses. She claimed she does not believe that in using them anymore.

“I actually like to just spend time with them on the floor,” she reported, “because I can hook up with them more, and you know, horses are our mirrors, so they can come to feel our energy and give it back again to us. That is a stunning superpower that I imagine horses have and would make them magical to me.”

One of her favored pics of the exhibit is “Chestnut Boys” and was captured mainly because she mistakenly forgot her tripod while out making an attempt to photograph horses at night.

“It is so difficult to shoot horses at night time since they’re not made use of to gentle or any form of interference with their setting at night,” she said. “When I received there, I recognized I forgot my tripod. I was just like kicking myself. Then I finished up just indicating, ‘Do the ideal you can you’re below.’ And when I acquired the image back again, it was the most lovely mistake.”

“Chestnut Boys,” 2020 (51.75 x 77.25 inches) Casterline|Goodman.
Kimberly Ovitz/Courtesy image

Identified to get her get the job done out there, she arrived at out to Robert Casterline and started the discussion about exhibiting her pictures in his Aspen gallery. To her surprise, he cherished what she was carrying out.

“My initially present at any time. Wow,” she reported. “I’m unbelievably grateful and fired up to be a section of these types of an amazing gallery of elevated artists.”